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Looking From the Other Side: Fanhouse Goes Inside ESPN's NASCAR "Mission Control"



Starting with Sunday's Allstate 400 at the Brickyard, ESPN returns as the television source for Sprint Cup action for the remainder of the 2008 season schedule -- including the Chase for the Championship.

Last weekend while at Chicagoland Speedway, ESPN invited yours truly to take a look at just what goes inside an at-track television production for the sports broadcaster and to say the least, it briefly reminded me of mission control for a NASA space shuttle launch.

Now before you accuse me of drinking the company Kool-Aid when it comes to ESPN, let me remind you that its my job to look at things with an open mind. Sure, I've criticized ESPN's NASCAR coverage in the past, and I'll likely do it again. With that, however, I will now be able to take into account how the entire operation works and better understand how a mistake is made here or a gaffe happens there.

The tour that we (I was accompanied by Valli from The Fast and the Fabulous blog) occurred during the Friday afternoon broadcast of Nationwide Series qualifying. The first stop was inside of the ESPN tech center where Tim Brewer originates his segments on the technical side of the sport.

Brewer's home for the weekend is really a single trailer with expandable sides that allow for all of the tools you see on the broadcast to be stored in a ready-to-use position -- including a race car (ESPN brings both a Sprint Cup and a Nationwide car to each race), pit box, and a plethora of tools and spare parts.

Because we were inside the "studio" during the broadcast, Brewer was cordial but had to listen in to the broadcast in case the guys in the booth needed an explanation. In other words, none of what Brewer does -- and yes, he is stationed at the speedway for every race -- is pre-planned and he's only used when the broadcast needs a thorough look at a technical element.

The next stop we made was in a trailer two or three doors down from Brewer's set. Both spots were located inside a TV compound that is designed to support an army of 200+ ESPN workers at each event, and they have the trailers, tents, and space to prove it.

That next stop? Inside the control room for the whole operation where senior producer Neil Goldberg calls the shots. The production truck is a custom-built piece made for ESPN by company out of Pennsylvania, and more specifically, tailor-made for the network's NASCAR broadcasts.

The wall is decked out with at least nineteen 32" flat screens that show the crew inside the truck everything that can possibly go on the air including the live feed, available graphics, replays that are ready to roll, 60-75 camera views depending on the size of the track, and of course the live feed of every other ESPN channel in one corner. In all, the number of different things you can see on the screens easily stretches into the hundreds.

And that's where Goldberg comes in.

He's the guy solely responsible for bringing everyone in the crew together from the guys in the booth, to the pit reporters, to the replay truck, to the audio truck, to the stats people, to the network people back in Bristol, Conn., and of course, the action on the track. Each of these areas -- and a few more I'm missing -- pitch what they have to Goldberg to try to get it on screen, whether its a driver interview or an interesting stat.

Imagine trying to talk on the phone with 30 people at once, watch TV, and land an airplane and you're getting near the level of components that go into an ESPN NASCAR production.

And all of this, mind you, occurs while Dr. Jerry Punch, Andy Peetree, and Dale Jarrett are all up in the booth, trying to keep track of what is happening on the track.

The technology in the broadcast is simply fascinating. As the ESPN representative who led the tour told us, the television package for a NASCAR race is bigger than the one putting on the Super Bowl each year, and it moves from track to track each week.

The logistics part of the equation is all the more fascinating, too, as roughly 12 hours after the checkered flag falls, the entire unit is packed up and ready to head to the next event directly, where it will run cables, position cameras, and put together what is seemingly the world's largest home entertainment center (with full HD, of course) in less than two days.

The ESPN package is truly incredible, and I'm sure both FOX and TNT have similar setups that allow them to show NASCAR racing at a high level. And because of the amazing amount of bells, whistles, and buttons to push, it takes the staff some time to learn not only how to use it effectively, but to also get a grip on issues that can crop up while covering NASCAR for a content-heavy network like ESPN and ABC.

To me, it seems like that learning curve was 2007, and now, ESPN has tightened the reigns on the NASCAR coverage and cleaned up some areas that needed improvement. With that, they should be ready to hit the ground running with Sprint Cup coverage this Sunday at the Brickyard.

And if you do catch them make a mistake (as I'm sure I will), take a moment to look past the screen of the TV and think about how many variables it takes to make a NASCAR race successful on TV and doubly realize that the people working in the truck and in the booth are there for one reason.

To bring us, the fans, a quality NASCAR production to the comfort of our own home.

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